SUNTHICKENED OIL : THE SUPERIOR LINSEED/ FLAX OIL OF THE OLD MASTERS THIS OIL IS FAST DRYING EXAMPLE OF 30 DAY SUN THICKENED FLAX OIL: PROCESSED FROM UNREFINED FLAX OIL, CLEANSED OF MUCILAGE BY NON CAUSTIC METHODS, SUN AND AIR EXPOSED FOR 30 DAYS IN SUMMER SUN. ONCE YOU TRY THE SUPERIOR OIL I DESCRIBE ABOVE , YOU WILL KNOW THE DIFFERENCE. I ENCOURAGE ARTISTS TO BUY THEIR CALCIUM CARBONATE/ CHALK FROM CHAMPAGNE, DIRECTLY FROM www.kremer-pigmente.de THIS GERMAN COMPANY HAS DISTRIBUTORS WORLDWIDE. IN THE USA, THEY HAVE 2 OFFICES IN NEW YORK. I ENCOURAGE ARTISTS TO CLEANSE THEIR OWN UNREFINED FLAX OIL WITH THE REMARKABLY EFFICENT AND EASY 'PSYLLIUM HUSK-ALCOHOL" METHOD. YOU WILL SEE HOW EASY AND INEXPENSIVELY IT IS TO MAKE YOUR OWN SUPERIOR OIL OF THE OLD MASTERS. |
FRESH CLEANSED OIL : IT WILL BE BRIGHT YELLOW AND FULLY TRANSPARENT. THIS NON-SUNNED OIL IS STILL-A SLOW DRYING OIL. Once the oil is cleansed of its damaging mucilage, it can be used for several important tasks in the 'Calcite Sun Oil / Emulsions' method of oil painting. 1. It is ready to be sun thickened .Sun thickening takes 20-30 days depending on geographical area and season. This process produces the VERY FINEST OIL or oil painting. FAR SUPERIOR to walnut, poppy, or any other oils used by some. This is the PREMIER oil used by the greatest European Old Masters, the one spoken of by the Renaissance master, Cennino Cennini. 2. Before the oil is sun thickened, it is limpid and yellow. It is used to make the simple ' Non Viscous' Emulsion" described in my book. The Non Viscous Emulsion serves important tasks not offered by the Viscous Emulsion. If not applied correctly, the Emulsions will fail. 3. Once this oil is Sun thickened, it is viscous and bleached. It is then used to make the' Viscous Emulsion". Both emulsions are made within 30 seconds if the glair is available. Glair takes 5 minutes to make. Both EMULSIONS are crucial to oil painting without solvents, resins and varnishes or driers. |
THICKEN YOUR LINSEED-FLAX OIL ARTISTS HAVE THREE CHOICES TO THICKEN THEIR OIL "THE REBIRTH OF THE OLD MASTERS' SUPERIOR OIL" SUN THICKENED LINSEED FLAXSEED OIL 1. The Old Masters' traditional Sun Thickening/ Bleaching method takes approximately 15 to 60 days 2. "THE NEW AIR PUMP METHOD" THICKENS AND BLEACHES THE OIL WITH AN AQUARIUM AIR PUMP IN 15- 18 DAYS 3. Use of fire heat is not recommended: caution with this potentially hazard method |
THE MODERN METHOD OF THICKENING THE OIL WITH THE AIR PUMP SEE THE EXTRAORDINARY MUCILAGE REMOVAL METHOD "CSO PSYLLIUM HUSK-AIR PUMP ( VELASQUEZ-TAVENIER) METHOD" SEE THE RECIPE AND PROCEDURES ON THE PAGE : CLEANSING FLAX OIL - or - WASHING LINSEED OIL SEE THE YOUTUBE VIDEO ON THE NEW " AIR PUMP OIL" - CLICK TO SEE THE VIDEO: HERE |
THE SUPERIOR OIL OF THE OLD MASTERS |
END OF PAGE ALL PHOTOS AND TEXT ARE COPYRIGHT PROTECTED BY LOUIS R. VELASQUEZ Thank You |
IN 2012, AN ARTIST FROM BELGIUM SENT ME TWO SAMPLES OF 'PURIFIED' FLAX-LINSEED OIL THAT SHE BOUGHT FROM A REPUTABLE DEALER. SHE GAVE NO INFORMATION ON HOW THE OIL WAS ' PURIFIED'. IN THE PHOTO THEY ARE LABELED No 1 AND No.2 IN THE PHOTO THE THIRD BOTTLE IS MY SAMPLE OF COLD PRESSED FLAX OIL CLEANSED BY THE CSO PSYLLIUM HUSK ALCOHOL METHOD. THE THREE BOTTLES WERE PLACED IN MY FREEZER AND LEFT THERE FOR SEVERAL DAYS. NOTICE THAT BOTH HER SAMPLES ARE CLOUDY. THIS INDICATES THEY CONTAIN MUCILAGE [ WHICH IS PARTIALLY AQUEOUS] OR MOISTURE. THE CSO SAMPLE IS FULLY TRANSPARENT. THIS INDICATES ALL THE MUCILAGE HAS BEEN REMOVED BY THE CSO HUSK/ALCOHOL CLEANSING METHOD THE NEXT PHOTO SHOWS THAT BOTH OF HER SAMPLES HAD MUCILAGE. I PLACED SAMPLES OF HER OIL ON TOP OF WATER AND LET IT STAND STILL FOR SEVERAL DAYS. THE WATER IS 'POLAR' AND DRAWS THE MUCILAGE DOWNWARDS INTO THE WATER AND IT ACCUMULATES ALSO AT THE JUNCTION BETWEEN OIL AND WATER. THE SAMPLE NUMBER 1 HAD MORE MUCILAGE THAN SAMPLE NUMBER 2 |
CALCITE SUN OIL |
COMPARING THE OLD MASTERS' SUN THICKENING METHOD WITH THE MODERN AIR PUMP METHOD WHERE THE OIL IS THICKENED BY THE AIR. THE MODERN AIR PUMP METHOD WILL BLEACH AND THICKEN THE OIL IN 15 TO 18 DAYS. THE AIR PUMP CAN BE USED WHEN THE AIR IS DAMP, WET OR HUMID IF SOME DRY PSYLLIUM HUSK IS MIXED WITH THE OIL. SEE THOSE INSTRUCTIONS.. THE AIR PUMP OIL IS BLEACHED FASTER THAN THE SUN EXPOSED OIL IF THE OIL IS EXPOSED TO SUNLIGHT DURING THE AIR PUMP PROCESS. MY TESTS SHOW THAT IF THE AIR PUMP IS USED PAST A 15 DAY PERIOD, IT CAUSES THE OIL PAINT TO WRINKLE BADLY WHEN MIXED WITH IT. WRINKLING OF THE PAINT CAN BE PREVENTED BY ADDING 2 OR 3 DROPS OF THE "NON-VISCOUS EMULSION" TO THE BLOB OF PAINT AND MIXING IT WELL WITH A PALETTE KNIFE. THE OLD MASTERS METHOD REQUIRES ANYWHERE FROM 15 TO 60 DAYS. THE TIME REQUIRED DEPENDS ON THE HEAT OF THE SUMMER SUN. THE THICKER VISCOSITY BY THE SUN.....IS BECAUSE THE SUN'S UV RAYS IMPACT THE OIL ... .WHILE USE OF ONLY AIR WITHOUT ANY DIRECT SUN HEAT....DOES NOT. THE OLD MASTERS THICKENED THEIR OIL BY STIRRING IT DAILY AS IT WAS EXPOSED TO HOT SUMMER SUN. THE HEAT AND THE UV RAYS FROM THE SUN..AND THE AIR...ARE ALL NEEDED FOR THICKENING AND BLEACHING THE OIL THE PROBLEM WITH HEATING THE OIL INDOORS BY HIGH TEMPERATURE FIRE, IS THAT IT YELLOWS THE OIL. |
THE OLD MASTER METHOD OF SUN THICKENING THE OIL The traditional Old Master method makes a beautiful, viscous faster drying oil PROCEDURE: Use a white opaque glassware container like those used in baking. This type container accelerates the thickening 2X faster than a clear glass container. Expose the oil to the direct sun rays of hot dry summer weather for between 15 to 60 days, depending on how hot and dry it is in your area. Stir the oil 2X each day for one minute. Do this thing in the morning and last thing in the evening. In extreme hot areas stir the oil more times each day, to prevent skinning of the oil. Protect the oil from rain or moisture. Place a clear glass sheet over the container with spacers to allow air to circulate. BLEACHED COLOR Within 2 weeks the oil begins to become bleached. With more time it will become water clear in color. This color is temporary , because when the oil is removed and placed indoors it will become a very pale straw color. However, this color is deceiving because you are seeing it in concentration in the jar. To test the actual color, place one drop on a pure white glazed ceramic plate and rub it in. You will see it is fully transparent and colorless like glass. TEST THE OIL FOR DRYING RATE AND VISCOSITY The oil is ready when it meets your needs. Some artists prefer a thick very fast drying viscous oil, and others prefer a less viscous slower drying oil. Periodically take a few drops and mix it with a small amount of oil paint, then, smear it on a piece of glazed tile or a ceramic plate to see how fast it will dry. Do two tests. One with tube oil paint and one with dry pigment colors. Be aware that all colors dry at different rates. Umber dries within 6 to 10 hours , and white tube oil paint can dry very slow because many are manufactured with slow drying poppy oil. FILTERING THE FINISHED OIL The Old Master method requires a final filtering of the oil to remove bugs, dirt, dust and leaves. These are easily removed. Use a plastic funnel and place a wad of cheesecloth , loosely into the neck. Place the funnel over a clean jar and pour the oil into the funnel. Allow several hours for the oil to drain. STORAGE OF THE OIL Store your oil in tall thin clear glass jars. Tighten the lid tightly, then loosen the lid 1/4 turn to allow expansion air release. Keep the extra stored jars full of oil. The oil in Half full jars will continue to thicken because of the air. Place the oil jars in a window to get light. It does not have to have direct sun rays. |
HEDDA'S CLEAR PLASTIC BOX My friend from Italy, Hedda Gjerpen, SOLVED A PROBLEM that has long plagued me. AND...it was so simple! Here is her photo [ 2016] of HOW she uses a clear plastic box to PLACE her oil , as it is sun thickening. Over the years, as I sun thickened my oil..sometimes I would spill the oil all over the table Other times it splattered as I was stirring the oil. What a mess I used to have. HEDDA says that the lid must be kept on the container and she leaves a spacer in one corner to let oxygen in. As we know sometimes rain happens!! without warning, and this box will protect the oil. THANK YOU HEDDA PS: My new upcoming book will have a long article on HEDDA'S BOX |